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导演：
馬里亞諾·巴羅索,Polo,Menárguez
主演：
米蓋爾·赫爾南,蘇珊娜·阿巴圖納·戈麥斯,佩德羅·卡薩布蘭科,諾拉·納瓦斯,費爾南多·特赫羅,艾格爾·納爾,奧馬爾·阿尤索,馬哈姆·胡裏,薇琪·亞拉可,維拉迪米爾·克魯茲,Amparo,Pi?ero,Adam,Jeziersky,Roberto,Lezana,Nahuel,Picone,Cristina,Ureta,José,Florencio,Pi?ero,Selim,Clayssen,Hamid,Krim,Héctor,Noas,Christophe,Klostermann
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全8集
简介：
影片講述的是奧斯卡夢想開一家健身房的故事。他最終進入了太陽海岸的世界，這一切都是由於法拉德一家，這個家庭爲他提供了一個未來，但卻帶來了最意想不到的交易:武器販運。
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导演：
羅伯特·佈列松
主演：
Antoine,Monnier,Tina,Irissari,亨利·德莫布朗,Laetitia,Carcano,Nicolas,Deguy,Régis,Hanrion,Geoffroy,Gaussen,Roger,Honorat,Vincent,Cottrel,Laurence,Delannoy,Laetitia,Martinneti,Martin,Schlumberger,Thadee,Klossowsky,Miguel,Irissari,Nadine,Boyer-Vidal
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HD中字
简介：
該片以回憶的方式記敘了一個憂鬱的巴黎青年人努力尋找現代大都市生活的意義和生命的故事。他在宗教，政治中找不到幸福和生活的理由，甚至在他自己身上也找不到。於是他把時間花在兩個女人的身上，希望這樣能夠永久聯繫在一起。
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导演：
克里斯托弗·迪克
主演：
Eliza,Sodró,索菲婭·紹莫希,Ernõ,Fekete,列文特·莫爾納,Ádám,Porogi,Ferenc,Köles,Anna,Györgyi,Miklós,Béres
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HD中字
简介：
When Fuchs starts his new job as a teacher in a prison school, replacing the old and unconventional teacher Berger against her will, he is forced to confront his biggest fear, triggered by the mysterious, withdrawn inmate Samira.
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导演：
克里斯蒂安·蒙吉
主演：
馬林·格里戈利,朱迪思·斯泰特,Macrina Barladeanu,Orsolya Moldován,Rácz Endre,József Bíró,Ovidiu Crisan,Zoltán Deák,切拉塞拉·約西費斯庫,安德烈·芬蒂,Bacs Miklos,Alin Panc,Victor Benderra,Amitha Jayasinghe,Gihan Edirisinghe,Nuwan Karunarathna,Kovacs Levente Jr.,Varga Csilla
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HD
简介：
聖誕前夕，結束國外工作的馬蒂亞斯，返回到他土生土長的羅馬尼亞特蘭西瓦尼亞多民族山村。馬蒂亞斯一邊擔心着兒子魯迪從羅馬尼亞母親安娜那裏受到的教育，一邊渴望着再次見到他的匈牙利前情人奇拉。
他發現他的兒子和整座村莊都籠罩在一種奇怪的非理性恐懼和不安的陰影之下。當奇拉管理的面 包店僱傭了兩名外國工人時，根深蒂固的衝動和怨恨湧現，衝突橫生和情緒爆發，社區和平的表象被打破。
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导演：
Radványi,Géza
主演：
Artúr,Somlay,Miklós,Gábor,Zsuzsa,Bánki
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HD中字
简介：
Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high. To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults. At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding. Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
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导演：
喬治·巴勒菲
主演：
皮洛斯卡·莫爾納,Miklós,Benedek,塔馬斯·約旦,Csaba,Gosztonyi,瑪麗娜·格拉,Csaba,Györy,Dániel,Csengery,迪亞·麥格唐娜·凱斯
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HD中字
简介：
自殺不成的老婦人，屢次從頂樓一躍而下卻無法如願以償，只好再次跛腳步上公寓頂樓。每經過一層樓，便經過一段光怪陸離。七層樓，七種人生樣貌，詭異至極、毫無邏輯，以黑色幽默之姿一窺當代生活，笑看人性的虛偽及庸俗，笑到最後卻忍不住心底發毛。 匈牙利導演喬治帕爾菲二○○二年初試啼聲，便以處女作《田園風光》一炮而紅。其後的《百年癲狂》更顯瘋狂不羈，在坎城引發熱議。擅於揉合奇想與創意，以魔幻寫實著稱的喬治帕爾菲，新作《公寓瘋光》影像同樣奇幻詭譎，戲劇調度與剪輯美學更貼近夢境囈語。從喜劇、科幻到神話，從歡笑、驚悚到恐懼，在風格迥異的七部短片裡，導演也展現其對不同類型的遊刃有餘。