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导演：
帕蒂普·薩卡爾
主演：
拉妮·瑪克赫吉,基舒·森古普多,阿南特·維哈特·夏爾馬,莫娜·安伯加卡爾 Mona Ambegaonkar,阿尼爾·喬治,阿曼·尤帕,米哈爾·亞瓦爾卡,塔赫爾·拉傑什·巴辛,普麗妍卡·夏爾馬
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简介：
西瓦尼（拉妮·瑪克赫吉 Rani Mukherjee 飾）是一名心中充滿了正義感的女警，一次偶然中，她發現了一幫以兒童爲作案目標的犯罪團伙，西瓦尼順藤摸瓜找到了幕後黑手卡倫（塔希爾·拉吉·巴辛 Tahir Raj Bhasin 飾）。當卡倫得知是自己的手下卡提亞爾泄露了自己的行蹤後決定殺死他，幸運的是西瓦尼及時趕到，久了卡提亞爾一名，她也因此獲得了一個得力的消息來源。
在西瓦尼和卡倫的幾次交鋒之中，西瓦尼始終佔上風，卡倫在交鋒中接連失去信賴的左膀右臂，就在西瓦尼感到能夠一舉破獲這個犯罪團伙時卻被告知，這個案子被德里警方全權接手，如果她再執意要調查下去，那麼她將會成爲整個德里警方的敵人。
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导演：
陳國軍
主演：
吳京安,周海媚,Kathy,Chow,趙毅,Yi,Zhao,顏丹晨,Danchen,Yan,吳軍,Jun,Wu,柯叔元,Shuyuan,Ke,馮恩鶴,Enhe,Feng,高明,Ming,Gao
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已完結
简介：
改革開放初期，國家政策調整，計算機研究所進行變革。研究員張鎮南萌生了開公司的想法，公司創立的過程極其艱辛。張鎮南看準時機，領導研發了漢卡，隨後與P P公司合作進一步增強了公司的實力。在獨立扛起國產電腦大旗之後，他們面對國內外衆多集團品牌的激烈競爭，此時張鎮南卻又不得不和往日戰友對簿公堂。然而，任何困難都擋不住張鎮南想要走上更大舞臺的決心，收購國際計算機業巨頭P P之後，張鎮南和他的天馳公司站到了世界電子業的頂峯。
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导演：
塞米赫·卡普蘭奧盧
主演：
Umut,Karadag,Tuncay,Kaynak,馬希爾·貢西雷,Filiz,Bozok,Gökhan,Azlag,Ayse,Gunyuz,Demirci,Hakan,Altiner,Devrim,Özder,Akin,Hasan,Aslangiray,Hasan,Atalay,Mehmet,Avdan,Bedir,Bedir,Yasemen,Buyukagaoglu,Sinan,Demirer,Kürsat,Karaman,Somer,Karvan
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简介：
Hasan得知有人要在他的耕田上安裝電塔，他動用手段避免這一切發生。在出發去麥加朝聖之前，他向妻子保證彌補過去的錯誤。 Making his living from gardening and farming in the land he inherited from his father, Hasan tries to get rid of the power pole that is going to be installed in the midst of his land. His impending voyage to Mecca for pilgrimage leads to soul searching into his past.
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导演：
Javier,Colinas
主演：
Susana,Alexander,José,Carlos,Rodríguez,Tiaré,Scanda,Rodrigo,Murray,Luis,Arrieta,Paola,Nuñez,Luis,Ernesto,Franco,Marimar,Vega,Antonio,Gaona,Martha,Claudia,Moreno,Cesar,Giraldo,Paulette,Hernandez,Elba,Jiménez
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简介：
今年祖母決定和往年一樣，一大家子在家裏一起爲自己過生日。到場的賓客有自己的兒子：一位50歲左右酗酒的熊孩子，他計劃帶自己的新女友來見家人。還有4個孫子輩以及他們的另一半。沒想到不能接受的人竟是老爸，他反思自己的一輩子，認爲自己不是名合格的父親，害怕自己在養育這個孩子的時候依舊會犯下同類錯誤，對孩子造成傷害。這時，孩子們表示他們會無條件的愛戴他，因爲他是父親啊。在老爸的坦誠中，大家都反省了自己的缺點，包括祖母也改變了自己對其他人的態度。在全家人的掌聲中，老爸向女友求了婚，祖母...
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导演：
Jacinto,Molina
主演：
Paul,Naschy,Julia,Saly,Lola,Gaos
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简介：
PANIC BEATS begins with a totally nude woman with welts on her body, running through a misty forest full of decayed skeletons. A knight on horseback is chasing her, and we soon learn that he is Alaric de Marnac (a wicked character Naschy first created for HORROR RISES FROM THE TOMB), viciously killing her for her unfaithful ways. After the credits role, we are taken to the present where a descendent of Marnac named Paul (Naschy) is married to the wealthy Geneviève (Julia Saly) was has some serious heart problems. Paul decides to take her to his ancestral home in the country for some peace and quiet, but the superstitious-filled setting opens a Pandora’s Box of terrible occurrences. We soon discover that Paul is a real son-of-a-bitch who plans to scare his wife to death, planning to control her fortune and continue his secret affair with seductive bad girl Mireille (Silvia Miró), who happens to be the niece of the tarot card-reading housekeeper, Mabile (Lola Gaos). Paul’s malevolent scheme works, but he still has to worry about an additional money-hungry mistress (this guy really gets around!), the unforgiving Mabile, as well as new fianceé Mireille who might be hiding a thing or two herself. More grisly murders follow, and the ghost of Marnac returns from hell to punish the most despicable human character in the film. PANIC BEATS was also written by Naschy (under his real name Jacinto Molina) who injects the film with an old-fashioned spooky house motif, beefed up with a modern movie sense of violence and sexuality. The film offers nothing too innovative storywise, and even Naschy admits on the disc’s extras that it was partly inspired by GASLIGHT and REBECCA, but he seems to just toss in a hodgepodge of exploitation and horror ingredients, while delivering a stylish and enjoyable effort with a number of twists and some genuinely chilling moments. The camera shots and lighting are both effective, and there's even does a cool set-up (much like what Freddie Francis did in THE SKULL and THE CREEPING FLESH) where we see the point of view of Marnac through his dark helmet as he stalks his female prey. Graphically, we are exposed to everything from a plate of bloody eyeballs, to victims being beaten relentlessly with the various Medieval weapons affixed on the house’s walls (for example, someone is axed in the stomach, followed by the soaked entrails oozing out!). Naschy’s most frequent 1980s leading lady, Julia Saly, is not given much to do, but with her offbeat looks, is a nice presence nonetheless. The prominent female star here is Silvia Miró who is seen in the buff frequently, and she certainly makes for some well-appreciated Euro starlet eye candy. Naschy himself is very good in the film, putting on conniving facades, carrying a number of women on a string,