添加：
未知
导演：
布萊恩·德·帕爾瑪
主演：
瑪戈·基德,詹妮弗·紹特,查爾斯·德恩,威廉姆·菲利,萊爾·威爾遜
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简介：
丹妮爾（瑪戈·基德 Margot Kidder 飾）和菲利普（Lisle Wilson 飾）正打算好好的約一個會，卻偏偏遇見了丹妮爾的前夫埃米爾（威廉姆·菲利 William Finley 飾），在甩掉了討厭的埃米爾後，兩人來到了丹妮爾的住處，共享春宵。
丹妮爾發現自己一直在服用的藥物喫完了，便託菲利普去買，然而，當菲利普回到丹妮爾家時，等待着他的卻是冰冷的尖刀。菲利普死了，丹妮爾正是兇手，而埃米爾隨後趕到，幫助丹妮爾處理屍體。這恐怖的一幕被一個女記者全部看在眼裏，並且迅速報了警。丹妮爾爲何要殺害無辜的菲利普？而丹妮爾口中自己的妹妹多米尼克（瑪戈·基德 Margot Kidder 飾）真的存在嗎？
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导演：
約翰·施萊辛格
主演：
強·沃特,達斯汀·霍夫曼,西爾維婭·邁爾斯,約翰·麥蓋沃,布倫達·瓦卡羅,巴納德·休斯,魯斯·懷特,詹妮弗·紹特,吉爾曼·蘭金,琳達·戴維斯
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简介：
生活清貧的牛仔喬恩（喬恩·沃伊特 Jon Voight 飾）從老家來到紐約討生活，他自認爲風流倜儻，因此想在紐約當個男妓混口飯喫。當他第一天來到紐約時，就在大街上勾搭女人。不料，人地生疏的他生意不成反而虧了20塊錢。沮喪不已的喬恩遇到了專靠騙點小錢爲生的裏佐（達斯汀·霍夫曼 Dustin Hoffman 飾），裏佐騙喬恩說他認識一個男妓集團的首腦，但要收20元作爲中介費。最後裏佐只是把喬恩介紹給了一個同性戀的皮條客，憤怒不已的喬恩隨後找到了裏佐。裏佐收留了無家可歸的喬恩，兩人漸漸成了無所不談的好朋友。 寒冷的紐約冬天，兩人過的十分辛酸，以至於衣食無着，裏佐也沒有錢買藥治病
裏佐嚮往着邁阿密的生活，他邀請喬恩和他一起到邁阿密去闖世界。生活無着的兩人這晚來到一家地下酒吧去碰運氣，當喬恩終於搞到一單生意後，體力不支的裏佐摔下了樓梯。奄奄一息的裏佐此時最記掛...
添加：
未知
导演：
布萊恩·德·帕爾瑪
主演：
羅伯特·德尼羅,查爾斯·德恩,詹妮弗·紹特
备注：
HD中字
简介：
In this very late 60's irreverent, almost anarchic low-budget film, Brian De Palma defines more of his strange, given Hitchcock-like fascination of voyeurism, and attacks the issues of the day. The most prominent of which, both cringe-inducing and just plain funny, is when he focuses on the black-power movement (a black woman handing out fliers asking white people 'do you know what it's like to be black'), which is something that could only work for that time and place, not before or now. But one of the key things to the interest in the film is 27 year old Robert De Niro (not his first or last film with the director), who plays this character who sits in a room looking out through his telescope at women in their rooms, setting up phony deals, and in the end basically throwing bombs. Those who have said that De Niro can't act and just is himself in every movie should see this movie, if only out of some minor curiosity. A couple of times in the film it's actually not funny, as when there's a disturbance in a black-power meeting (filmed in a grainer, rougher style than the rest of the film). In the end it's capped off with a rambling monologue in an interview that tops De Niro's in King of Comedy. It's pretty obvious where De Palma's career would go after this, into slightly more mainstream Hollywood territory, but all of his trademarks are here; the dark, almost nail-biting comedy, the perfectly timed style of voyeurism, and interesting usage of locals. Think if De Palma and De Niro did a Monty Python film, only even more low-budget and in its New York way just as off-the-hinges, and you got Hi, Mom! It also contains an eccentric and funny soundtrack. imdb comment