添加：
未知
导演：
愛德華·格萊納
主演：
拉多萬·盧卡夫斯基,古斯塔夫·瓦拉赫,艾米麗婭·瓦薩約娃,威廉·波洛尼,Jela,Buckova,Jozef,Cierny,Pavel,Chrobak,米庫拉斯·洛迪津斯凱,Ivan,Macho,Ján,Mildner,Andrej,Mojzis,Jan,Pelech,盧多維特·賴特爾,斯特凡·克維季克,Milan,Mach
备注：
HD中字
简介：
與Stefan Uher和Elo Havatta一樣，Eduard Grecner也是60年代斯洛伐克新浪潮電影的締造者之一。他的三部影片《一週七天》（1964）《尼絨月亮》（1965）和這部《徳拉克的迴歸》都是斯洛伐克新浪潮電影的代表作。這部敘事方法獨特帶有明顯意識流風格的黑白影片甚至間接影響到了後來法國導演格里耶在捷克拍攝的兩部影片《說謊的人》和《Eden and After》。 A special place in the development of feature films is reserved for Eduard Grecner, the creator of just one good film, Dragon Returns (Drak sa vracia, 1967), titled after the nickname of the lead character. After his initial work with Uher, Grecner made his mark as a proponent of the so-called intellectual film, the antithesis of the sociologically, or rather, socially critical film. Grecner's great role model was Alan Resnais, a young French filmmaker who sought to introduce Slovakia to the idea of film as a labyrinth in which meanings are created not by stories, but by complex configurations of dialogue, shots, and various layers of time, thus differentiating film from both literature and theater. In Dragon Returns―the story of a solitary hero who is needed by villagers living far in the mountains, but who is rejected by them at the same time because of his detachment―Grecner brought the tradition of lyricized prose to life through a whole series of formal aesthetic techniques. Alain Robbe-Grillet immediately developed this idea in the film shot in Bratislava The Man Who Lies (Slovak Muz, ktory luze; French title L'homme qui ment; 1968), and perfected it in Eden and After (Eden a potom, 1970).
添加：
未知
导演：
杜桑·哈那克
主演：
羅曼·克洛索夫斯基,伊娃·簡祖羅娃,米蘭·耶利奇,Milada,Jezková,瓦茨拉夫·巴布卡,瑪麗·莫特洛娃,盧多維特·賴特爾,尤拉伊·恩沃塔,伊萬·帕盧赫,Vera,Bílá
备注：
HD中字
简介：
1980年的這部影片對準了一羣鐵路郵差，主角是當中一名其貌不揚、求愛處處碰壁的EVRYDAY，大夥兒想盡辦法幫他出主義，心上人偏偏跟幫他出主意的帥小子搞在一起，只等佳人被搞大肚子之後，才輪到他來療傷談心，這部愛情喜劇，展現了哈那克在檔案癖好之幽默風趣的一面，嚴肅導演也能拍愛情電影，能令人笑中帶淚地體會卑微小人物生活的甘苦，也對俊男美女只重視表面的愛情功夫作了一翻嘲諷。此片歷劫十年，在解禁之後哈那克以此片奪下1989年柏林影展的最佳導演獎。